Rabu, 30 Januari 2013


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BlockQuote. A web hosting service is a type of Internet hosting service that not allows allows individuals and organizations to provide their own website accessible via the World Wide Web. Web hosts are companies that provide space on a server they own for use by their clients as well as providing Internet connectivity,
typically in a data center. Web hosts can also provide data center space and connectivity to the Internet for servers they do not own to be located in their data center, called colocation.


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Align Justify: A web hosting service is a type of Internet hosting service that not allows allows individuals and organizations to provide their own website accessible via the World Wide Web. Web hosts are companies that provide space on a server they own for use by their clients as well as providing Internet connectivity, typically in a data center. Web hosts can also provide data center space and connectivity to the Internet for servers they do not own to be located in their data center, called colocation.


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A web hosting service is a type of Internet hosting service that not allows allows individuals and organizations to provide their own website accessible via the World Wide Web. Web hosts are companies that provide space on a server they own for use by their clients as well as providing Internet connectivity, typically in a data center. Web hosts can also provide data center space and connectivity to the Internet for servers they do not own to be located in their data center, called colocation.























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Being a DJ on my college campus is tough, for one reason…. Diversity there are so many different ears on campus it’s hard to get that mix of music that everyone is gonna vibe and have a good time to. Next time your in charge of music for a party refer to this list to get everybody hype no matter what there genre of choice is, except country we don’t play that shit.

  1. MGK- Wild Boy Remix
  2. Jay Z and Kanye West- Niggas in Paris
  3. Ellie Goudling- Lights(Bassnectar Remix)
  4. Timeflies- Detonate
  5. Tyga- Rack City
  6. Xv- Gobstopper(Figure Remix)
  7. Trey Songz- Say aah(Twerk Shop Remix)
  8. Drake- HYFR
  9. Wacka Flocka Flame feat Drake- Round of Applause
  10.  Childish Gambino- Lights turned on

Of course there are more songs that you can play but these are guaranteed party starts, get off your ass music. Even if your doing this from your little computer speakers in your room.

At the end of electronic musician Skrillex’s pummeling dance throb, “Rock and Roll (Will Take You To the Mountain),” a whining voice barks out, “You have technicians here making noise. No-one is a musician, they’re not artists because nobody can play the guitar.” It’s one of the few intelligible phrases in the song – or, for that matter, on Skrillex’s entire recent EP, “Scary Monsters and Nice Sprites.”

If your definition of musicianship demands proficiency on the guitar – or any other instrument that existed prior to about 2005 – then next week’s local concert by Skrillex and a handful of other dance-music producers of his ilk probably won’t turn your crank.


But if your mind is open to new definitions of music in this new millennium, then get down to the Wilma on Wednesday to hear one of today’s trickiest electronic-music trailblazers crank up the jams.

Known to his mother as Sonny Moore, Skrillex burst onto the electronic music scene in 2007, after making something of a name for himself as lead singer with the Southern California post-hardcore band From First to Last, which appeared on two Vanns Warped Tours and released a couple of albums on the Epitaph label. At the time, Moore’s leap to the electronic music scene seemed perhaps a little convenient, as he had developed problems with his vocal cords.

But with the release of his 2010 debut EP, “My Name is Skrillex,” it was apparent that Moore had found his groove. By the end of the year, he had signed a deal with Mou5trap Records, the imprint run by electronic music guru DeadMau5.

Since then, the world has seemed to bounce to his beats. “Scary Monsters and Nice Sprites” debuted at number 1 on iTunes’ dance music chart in December; one of his tunes has already made its way into popular culture as the soundtrack on television commercials for the videogame, “Mortal Kombat 9.”

Looking like a height-challenged Geddy Lee, the long-haired, bespectacled Moore cuts a profile that is a far cry from the larger-than-life presence – and larger-than-love hooks – of DeadMau5.

But in between the occasional stage-dives, Moore gets busy blowing minds via aggressive dance mixes layered so deep with odd sounds, it’s hard to tell if you’ve heard any of them before. And just when you start to get your mind wrapped around it all, he busts out one of his signature breakdowns – extended riffs that sound like a building collapsing in perfect rhythm.



The effect is jarring and jaw-dropping, whether you’re listening intently or just trying to keep your knees bouncing to the beat.

So moan about the demise of instrumental music if you must. Skrillex is already moving on to the next groove.

Our Shure SRH750DJ headphones have been going down a storm since they were released and we’ve teamed up with Mixmag “The worlds biggest dance music and clubbing magazine” to give away a pair.

To enter the competition visit the Mixmag website, answer a really simple question and you could be the proud owner of a new pair of Shure DJ headphones !

Just see what people have had to say about them:

“On looks alone the SR750DJ is a winner and that’s before you even listen to them! Great job, Shure.” IDJ

“They’re one of the best set of DJ Headphones in their price range and sound better then most the DJ-branded cans.” Future Music

“The SRH-750DJs offer great sound, quality and looks.” Scratchworx

Good luck everyone!


A Musical Shift:

In the 80′s and 90′s, popular culture was locked in a strange relationship with creepily feminine glam rock bands and questionable teen pop boy bands. As of today, there is still some obsession with this type of music, but mainly by teenage girls and young adults still mentally stuck in that time period. I’m not trashing the success of boy bands or fem-rock groups—I owned both Nsync and Guns & Roses CD’s—I’m just saying that the popular music culture has started to shift to a whole new form of music. This original exploding genre of music would probably not even be considered true music a few decades ago, however, the electronic dance music scene has spread through the current generation of young people like the bubonic plague did through 14th century Europe. Alternative rock, rap, hip-hop, and some boy bands still carry major weight in modern musical culture, but their popularity has generally plateaued while EDM’s prominence has consistently seen an exponential rise since the new millennium. 

New Music, New Lifestyle:

The most interesting part of the electronic dance music explosion is not just how computerized music could be so compelling to the ear, but how this new musical genre has spawned an entire subculture within its audience. EDM has gone beyond the typical influences musical genres have on their audience, and created an entire following of people defined by their musical taste and more often than not, their mingling with MDMA and other types of party drugs. The rave scene was born with one thing in mind—sex, drugs, and dance. Most music scenes tend to follow these same ideas, but EDM takes it a step further and embodies this motto as a sort of creed adopted by all followers. 

Music Festivals:

Ravers around the world unite under the electronic music flag, and attend global festivals where the EDM culture becomes larger than life, turning in to the only reality they know. Some popular festivals include:
  • Ultra Music Festival
  • Electric Daisy Carnival
  • Electric Forest Festival
  • Dance Valley
  • Global Gathering
  • Bonnaroo
  • T In the Park
  • Nocturnal Fest
  • Escape from Wonderland
In the United States, EDM has risen insanely in popularity, but has not quite taken over the mainstream title. Europe, however, has totally indulged itself in the musical insanity that is electronic music. Like a lot of global trends, the rave scene has developed greatly in Europe and spread outward in to all the corners of the globe. With the more recent development of dubstep, the popular hip-hop and rap music of the United States has been remixed and re-popularized in electronic form, helping spread the electronic music culture through the mainstream music taste of Americans. 

Neon Trend:

The rave scene hasn’t only introduced a certain lifestyle to its audience, but an entirely new style of clothing and accessories. Rave parties and festivals have popularized vibrant neon themed shirts, hats, glasses, and whatever other kind of wacky accessories one wants to wear. Neon colors have become so necessary for raves because they embody the craziness that the music promotes and the people thrive on. Ravers have personalized their own neon shirts and hats to represent their own unique individuality, their organizations, or whatever else crosses their mind. The neon theme has permeated the global EDM scene and is unique specifically to this genre.